GALLERY
Me with my first solid body electric guitar. A Vox Clubman from England. Traded in My Kay archtop electric at Judkins Music in Garden Grove, Ca. 1965
Dead Men Don't Surf, ( AKA The Dickless Deltones) Taste of Orange County, back in the last century. (6) blonde Fender Showman amps. You don't see that every day ! Me with Kerry Chester and Ron Eglit and Steve Aschoff from the Deltones.
Billy Zoom ( the band X) proudly displaying his Gretsch Custom Shop " Billy Zoom Silver Jet". built by Stephen Stern and his crew in Corona, Ca.
Clark Kearney ( Burlesque band) 1970s with a custom double neck I built him. One piece Honduran Mahogany body, (2) Fender necks and various pickups. It was HEAVY !
Howard Leese ( Heart, Bad co. ) and me at the release party/concert for Dick Dale's " The Tigers Loose record, recorded live at the Golden Bear with the Wally Heider remote studio/truck. Early 1980s. Howard is playing a custom Strat I built ( pre- Fender Custom Shop ) and I have my '64 Fender Candy Apple Red Precision Bass
Speedy West Jr., me and John Bryant ( Jimmy's son) at NAMM 1980s. These two sons of famous country/jazz musicians hadn't seen each other since they were little kids !
a Dano re-issue U-2 I converted to electric Sitar. Made 3 of these as samles, but Danelectro (Evets) didn't produce ant electric sitars until over 20 years later
A Garnet "Herzog" tube preamp created by Gar Gilles for Randy Bachman of the Guess Who. Basically, the front- end section of a black face Fender Champ Amp, this was gifted to me by Randy Bachman back in the 1980s.
ANOTHER 1958 Gibson Korina Flying V ! Nearly 5% of the total production of these creatures have passed through my shop over the last 52 years.
A nice Premier ( New York ) "Bantam" model that I converted to a 2 pickup model for my longtime friend and bandmate, Michelle Mangione.
One of a kind Danelectro left handed 6 string bass electric sitar built for Jim Washburn and featured at Deke's Guitar Geek Fest years ago in a tribute to Vinnie Bell.
the Anvil briefcase is a perfect foundation for a practical pedalboard. I built this one in the 1970s
Me with my first 1961 Gibson "dot neck" ES 335. Ca. 1973. This one had a nice flamey top, and that wide, flat '61 neck. $300 bucks in the neighborhood.
My 1960s Japanese made "Pearl" bass, with the biggest neck I've ever seen on an instrument ! But, boy, does it sound good !
Tasmanian Blackwood body. the owner standing in the spot where the tree it was harvested from once stood. The rest of the wood is now in Prescott, Arizona in the collection of a former Fender Custom Shop builder.
Italian made, 1960s " Galanti" guitar. Anyone out there have the original vibrato tailpiece for this ?
my Billy Gruggett custom built Mosrite " Torquays" model guitar and Rosac Malibu amp. Both made in Bakersfield, Ca.
a mess of Paul Barth built guitars ca. 1960s purchased from the barn storage of Woody and Lena's Captone Music back in the 1990s.
My buddy Larry Hanson with his "Trump " (Japan) guitar, purchased a few years ago at a local garage sale in Santa Ana, Ca.
the back of a very rare, near mint, Gibson banner era ( world war II) LG-3. one of only a few known to exist.
My wacky 1960s "Royal Artist " (Japan) bass. Looks goofy, sounds great. Strung up with 1960s era Hofner short scale flatwounds. a true pawnshop special !
Les Paul's personal go-to modified early 1950s Gibson Les Paul. this was sent to me by the auction house several years ago for authentication and assessment pre-auction.
My "Angelo" Strat copy. Interesting guitar, anyone ever seen another ? it's the best Strat style guitar I've ever owned, including a multitude of 1950s and 1960s examples.
One of Billy Zoom's ( the band X) re-issue Gretsch custom shop Silver Jets. This one is un-reliced, and bears the serial number of his original main guitar.
this is a one-of-a-kind Danelectro electric mandolin prototype I built, but never went into production.
another favorite. My Orville by Gibson ES 335 built by Fuji-Gen in Japan. This series later morphed into the Epiphone Elitist series. Amazing guitar !
Guild and Takamine 12 strings. You can see that Guild might have been upset about the similarity of Takamine's headstock logo. Not surprising, the Takamine played and sounded better !
Rear view of Ray Massie's 20th Century Special, Made in Compton. Ca, ca. 1953. Basically a tweed Fender Pro amp with a 12" Jensen field coil speaker. Tone for days !!
Massie 20th Century Special amp with early model Soest -designed Danelectro Hodad in blue sparkle finish ( no, I didn't name it !)
Rare Danelectro Nifty 100 amp with built in echo effect. One of 3 produced as samples, never in production.
Eddie Bertrand ( Eddie and the Showmen ) with his replica Silver sparkle burst Stratocaster. His original was long gone. so I built this for him to sell to the Hard Rock Cafe for display.
This Neil Boyle painting was created for a Fender catalog in 1966/1967 period. This hung in an office at the Fender Factory in Fullerton until CBS sold the company in 1985, A retired Fender executive sold it to me.
A nice Rickenbacker model 365 owned by Grammy winner Bobby Carlisle getting prepped here for a fret job.
A couple of mid-1960s Fender bass neck blanks showing how early in production the date stamps were applied !
Early, clean example of a blonde Fender Showman 12 ( smaller sound ring cabinet with a stock JBL D-120 12" speaker)
Early Korean factory sample Danelectro '56 U-2 (1997 ?) showing the truss rod access slot. The production models were not produced with this feature at my request. Hate me !!
George Tomsco's ( the Fireballs band ) Japanese re-issue white Fender Jazzmaster after I converted it to a gold anodized aluminum pickguard to more closely resemble his original 1958 guitar.
MIke Palm ( Agent Orange) with his Fender Jaguar in the shop for some setup work. Notice his arm cast... sometimes skateboarding and guitar playing don't mix well.
Work bench at the old location at 870 N. Main St, in Orange. The shop was there for close to 25 years prior to the move to "the barn shop ".
My biggest influence and friend, Nokie Edwards of the Ventures. The Torquays backed him on several tour stops in Southern California.
With my first guitar influence/ teacher, Larry Hanson. He's holding the guitar he played when I met him in the 7th grade. It had disappeared for decades, and I found it and got it back for him.
Me in the barn shop #1 out in the hills of east Orange, Ca, around 1974 with a Gibson Firebird VII that I had recently purchased at a little music studio in Las Vegas. Back then. I would scour the pawn shops, music stores and the trusty Nifty Nickel ad paper, filling up my 1972 Dodge van with cheap, cool gear while my family enjoyed the hotel pool.
My logo, designed by my brother in law, Gerard Huerta. He designed the AC/DC logo as well as countless iconic images from the 1970s through current times. Look him up. You'll be amazed at his body of work.